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‘Dangerous storytelling’ — Aymen Saleem calls out abusive portrayals of love in dramas

‘Dangerous storytelling’ — Aymen Saleem calls out abusive portrayals of love in dramas

The actor's statement comes after a scene in Mann Mast Malang showed a husband tying up his wife to prevent her from leaving him.
03 Jun, 2025

Actor Aymen Saleem called out the portrayal of abuse as romance or bold storytelling after a television drama showed a woman tied up by her husband to prevent her from leaving him.

Saleem’s post on her Instagram story comes a few days after an episode of Mann Mast Malang showed Kabir, played by Danish Taimoor, tying the wrists and ankles of his wife Riya (Sahar Hashmi) to keep her from leaving his house.

Throughout the scene, Kabir keeps calling his wife “meri jaan” (my love) and as she turns to leave, he grabs onto her arm, spins her around and dips her in his arms as the dramatic background music turns romantic — minutes before he ties her up. When Riya says night will fall again and she would attempt to run away a second time, Taimoor’s character says, “The night will return and you will never forget it.”

In the following scene, Kabir tells another character that he wants Riya to live with him and belong to him. The undertones of the show imply that Kabir, the “hero”, loves his wife so much that he’s going to extreme lengths to keep her with him.

“Enough is enough. I’m deeply disturbed by the way a recent drama is portraying abuse — tying up a woman with ropes, showing it in romantic or bold light, and then normalising it as part of a love story,” Saleem wrote.

“This isn’t entertainment. It’s dangerous storytelling.”

Saleem said that in a country where women already faced so much within a marriage, such as “patriarchy, emotional and physical abuse and societal pressure,” media had the power to reinforce or challenge toxic norms.

The Paristaan actor maintained that dramas should offer relief, empowerment and progress, instead of showing narratives that justified “harm in the name of love.”

“We’ve made strides in showcasing strong, self-aware female leads and breaking generational curses. Why are we slipping back?”

She urged writers, producers, television channels and especially actors to choose scripts and stories responsibly because of the influence they had and because people looked up to them.

“This is not just fiction — this shapes culture,” Saleem said.

It’s important to remember that these scenes don’t reflect love — they normalise abuse, presenting coercion and violence as romantic gestures and that’s not okay.

Comments

Taj Ahmad Jun 03, 2025 05:27pm
Great article, it’s about time now to address this issue for public to know.
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Iqbal Aswani Jun 03, 2025 05:42pm
Instead of calling put, a better news would be, “Actors refused to act in a drama because story was about abusive portrayal of live”. If not, then it is just hypocrisy.
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Ehsan Jun 03, 2025 06:51pm
Who is writing such stories men or women
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maurizio Jun 03, 2025 07:31pm
Dear Saleem,you have right what you're saying that the movies or TV are the -light- for people,but ,in Italy,where I'm living,every day a girl\woman is killed.......and we're talking of Europe the continent of Freedom(lastely always less.....)and the respect of Right! Often,they are killed by husband\boyfriend..........
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Syed Jun 03, 2025 08:33pm
Who is Aymen Saleem??? Nobody knows her. Why'd she take a fictional story so serious
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Raja Gilal Jun 03, 2025 10:23pm
Pakistan dramas are replication of Indian ones. They should bear in mind that our values and norms characterised by religion do not permit us to showcase such scenes. We are anchored by revered values.
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Laila Jun 04, 2025 02:49am
Our dramas were known for their social commentary on socially relevant topics. But in the past 2 decades its gone down hill. If dramas, films didnt have an impact on minds and culture, then I dare channels to show intimacy, unblurred violence, blood and gore too. Dramas normalise, romanticise and glorify abuse, violence against women is because channels have an agenda. These dramas run 24/7 into our TV screens into every living room in an already misogynistic Pakistan 24/7. It's classical indoctrination of the masses and controlling females and deny them rights to resistance, choice, consent and seeking better options. Its not a Pakistani drama without toxicity, misogyny, minimum, slapping women, forced marriage, and expecting women to just settle and not oppose elders, husbands, in-laws even sinning but NO divorce, whilst husbands weaponize divorce is normalised in society and dramas. Critical thinking and common sense have died in Pakistan. People lap it up and see mesmerised with a handsome male antagonist/protagonist and pretty female protagonist. its rare we see empowering, supportive authentic masculine characters. Mainly because the stupid writers don't know what that is. The damage will take generations to fix.
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Ron Jun 04, 2025 04:45am
good point raised
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Anonymouseee Jun 04, 2025 11:59am
Our society has moved far away from Islam.
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Ali Jun 04, 2025 12:35pm
There were times in 80 and 90 when drama use to be entertaining and full of ethics to learn but now its all evil while criminals are being made in between very disturbing for the new generation to grab
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Laila Jun 04, 2025 01:48pm
@Maurizio The cases of "everyday" "a woman/girl is killed" in Italy is the same as in Pakistan. In Italy it is a crime to kill a female. In Pakistan it is not a crime, which is why Pakistani males get away with it. Italy has its own issues with mafia, organized crime, patriarchal migrant communities and is actually different from Europe (not a homogenous culture). With all due respect, your comment seeks to remove focus from the ongoing endemic institutionalised violence and honor killings against girls/women on Pakistan for 7 decades. But I do know of cases of honor killings in Italy too. By Pakistani parents/families. Because "their" girls became "too Italian/European/Western". The recent Saman Abbas case from Bologna in Italy. Or Hina Saleem and Sana Cheema from Brescia. Patriarchal Pakistanis even cant stop killing Pakistani females even when abroad. But you didn't mention these. Until we can admit violence against females in Pakistan is an issue and the normalising of abuse on TV we can not solve these issues. Covering up, deflection and whatsboutism will not help.
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M. Saeed Jun 04, 2025 02:57pm
Our Dramas are not for taking them serious! They written for making money and often depend upon glorification of the criminal mindsets,
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Laila Jun 04, 2025 03:28pm
@Syed Apparently she is an actor. And a Pakistani. Fiction or not, our dramas dominate our TV screens and what we watch repeatedly and daily effects us. There is reason we don't show X rated adult content on TV. Our channels and content creators therefore are responsible for their creation. Just like we objected to the content of Joyland and Barzakh. Same principle. Would you allow your kid to play violent computer games several hours daily? Or go on internet and social media without supervision and control? Fiction or not. It's indoctrination. It effects an already unstable, jahil, misogynistic and violent society like Pakistan. The drama industry has an agenda.
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Laila Jun 04, 2025 03:32pm
@Iqbal Aswani Great point. I totally agree. Actors are complicit in this agenda. Morals and integrity should become before anything. All the big name actors are repeatedly acting in such roles and stories without objection or refusal. Money and fame matters more.
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Dr. Salaria, Aamir Ahmad Jun 04, 2025 03:53pm
A drama is a drama whether on TV or stage, and should not be taken so seriously.
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A M Fayaz Jun 04, 2025 04:05pm
I agree. Enough is enough. Abuse does not need to be glamorised. Shame on the actors and actresses for agreeing to do these scenes.
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Laila Jun 05, 2025 03:59am
@Ehsan Mostly female "writers" are writing these dramas. But their creativity/stories are heavily controlled by bog networks, national channels and big production houses which are mostly male (Fahad Mustafa, 7Th Sky by Abdullah Kadwani, Asad Qureshi, Six Sigma Plus by Humayun Saeed, Shehzad Nasib and Dr Ali Kazmi etc). Women write a mix of what they are told to write and what they see, so when toxicity and misogyny are rampant in our society, ghar ghar ki kahani, naturally these women are colored by the same culture and society and have internalised misogyny. That's why the writer of Tere Bin, Nooran Makhdoom, saw nothing wrong with introducing and sensationalising spitting, slapping and marital rape into a love story. Misogyny and patriarchy are our culture. It effects most people. Men or women. It's about power, control and oppression. We as viewers are complicit in watching these shows and giving them ratings.
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